Music clearly plays a big role in film production. For example, a horror movie score can be more intimidating than the movie itself, and popular music played based on the final credits can conclude a movie with a happy tone. Movie scores are clearly important, but just as important as pre-recorded songs that can be used all the time.
Great song placement can enhance the movie and the song itself, creating a fun audio and visual hybrid experience. Arguably, the choice of song is the most important in the final credits, and the perfect final song means that the film will end in an unforgettable tone.
10 “Mad World” – Michael Andrews & Gary Jules (Donnie Darko)
Donnie Darko is one of those films that will never stop being discussed. This is the theoretical subject of countless Reddit fans, and many believe it was one of Jake Gyllenhaal’s best performances.
Of course, music also helps. Michael Andrews and Gary Jules’ “Mad World” was made specifically for the film, and while the film has gone beyond a song into a popular song in itself, the film will always be associated with Donnie Darko. The song fits perfectly with the boring tone of the film and helps end the song with a very sour tone.
9 “Lose Yourself” – Eminem (8 Miles)
Eminem was at the top of the world in the early 2000s, and this included when he wrote the icon, “Lose Yourself.” Like “Mad World”, “Lose Yourself” is written specifically for 8 miles, but the film goes beyond well -known pop culture films.
The song preceded the film for several weeks, and is understood to have helped spark interest. It was an instant hit, and hearing it play credit 8 miles serves as one of Eminem’s best creative accomplishments. A very shocking film was followed by one of the most famous rap songs ever written.
8 “Coconut” – Nilsson (Reservoir Dog)
Quentin Tarantino definitely has an ear for music. His films not only contain some of the best uses of Ennio Morricone’s music, but his vocals are always memorable. He knows exactly where to put the song, how the song fits the story and the tone, and he also has a tendency to relive songs that have long been forgotten.
For example, ending his debut film Reservoir Dogs with Nilsson’s song “Coconut” which reached # 8 in 1972. Not only did the silent calypso song serve as a shocking clash of tones with the loud and violent events on screen, but it proved Tarantino’s love for 70s music.
7 “Iron Man” – Black Sabbath (Iron Man)
Yes, it’s over Iron Man with Black Iron “Iron Man” is very clear and very precise. But no matter, it worked. The ending proves that Iron Man is the best, and ends the film in a harsh and badass tone.
The way Tony Stark reveals his identity as Iron Man in a relaxed manner, combined with the thrilling voice of Black Sabbath, made for an effective finish to one of the greatest superhero films ever. This is a rude and rumbling ending, signaling the confidence of the newly discovered MCU.
6 “Cat It Black” – The Rolling Stones (Full Metal Jacket)
What better way to end Stanley Kubrick’s work than with The Rolling Stones? Kubrick has the ability to get good music, and this is arguably his greatest listening performance. Full Metal Jacket is one of the best war films of all time, and certainly one of the most pessimistic films, so by ending his tragic story with “Paint It Black,” Kubrick makes a grim thematic statement.
The similarities between “Mickey Mouse March” and “Paint It Black” are no less impressive, and the lyrics of the song fit the theme and message of the film.
5 “Baby You A Man Man” – The Beatles (Social Networking)
The Beatles ’music has been used well throughout the history of film and TV, but perhaps their greatest use of their music can be found at the end Social networks. As Mark desperately began to refresh the friend request he sent to Erica Albright, the beautiful sound of The Beatles’ “Baby You a Rich Man” began to play.
The quiet sound of the song pairs well with the film’s rather gloomy ending, but the greatest link can be found in the lyrics. Mark Zuckerberg is now a rich man, but he is not necessarily happy.
4 “The Extreme Way” – Moby (Bourne’s Lordship)
Lord Bourne arguably the most disliked early entry Bourne trilogy, but it has the most fantastic ending. To taunt Pam and tell her that she was watching, Bourne tells her that she looks tired, prompting her to panic and look around in panic.
As soon as he said this, the sound of Moby’s “Extreme Ways” began to be heard. This is a very satisfying way to end an action film, further creating Bourne’s unstoppable and always -watched nature and finally putting Pam in her place.
3 “Where’s my mind?” – Pixies (Fight Club)
In addition to being one of the most popular movies of the 90s, Boxing club also contains one of the best endings of all time. As soon as the bomb exploded and the building began to descend, the grated guitar sounded Pixies’ “Where Is My Mind?” began to accompany the destruction.
The sharp and rough music makes the climax scene a great atmosphere, and the lyrics pair with the film’s dark theme. This is one of the most perfect marriages between film and music in film history.
2 “Out of Music (For Movies)” – Radiohead (Romeo + Juliet)
Radiohead definitely knows how to set the tone, and “Exit Music (For a Film)” is one of the darkest. It can be found at the end of Baz Luhrmann’s Romeo + Juliet, a bizarre modern adaptation of Shakespeare’s iconic play.
The story serves as one of the greatest tragedies ever written, and Radiohead’s deceptive music pairs well with the film’s catastrophic end. Even after 400 years, the creative mind is looking for new ways to revive Shakespeare’s work for modern audiences and the music in this iteration makes it even more unique.
1 “Wake Up” – Rage Against the Machine (Matrix)
The first Matrix the film is, for many, a perfect science fiction film, and undeniably had one of the greatest endings of the 1990s. Neo promises to reveal the Matrix, and as he slams the phone into his cradle, the audience is treated to a loud, resounding voice from Rage Against the Machine’s “Wake Up.”
Aside from the appropriate band name and near -perfect lyrics that fit the main theme of the film, the song’s participation serves as a great editing. The visuals and music paired up perfectly, with the music starting when Neo slammed the phone, fell silent as he put on his sunglasses, and kicked back after he flew with the camera. It’s something extraordinary, and it’s almost like the song was written for action on screen.
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